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                  <text>In 2009, BBRM staff and volunteers began the archiving of this collection, with the arranging of objects chronologically (1935 – 1995) and the purchasing of proper archival storage materials. In 2011, an oral finding aid with provenance was constructed by conversations between University of Alabama School of Library and Information Studies (UA SLIS) volunteer Lindsey Reynolds (now at University of Georgia, Athens Library) and BBRM Director Bob Friedman. In 2013 and 2014, those interviews were transcribed by UA SLIS volunteer Michael Mitchell (known affectionately as the MMT).  For each object, the original finding aid conversation has been added and can be found in quotes in the description section. As of the most recent online uploading in August, 2019, the Ephemera Collection consisted of eight boxes containing 413 folders with approximately 850 files, spanning the period 1935-1989.</text>
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                <text>Bessemer City Directory, 1951</text>
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                <text>Box 2 Folder 22: "Alright, we now are looking at folder 22. This is from the Bessemer City directory 1951. Two stations listed: WBCO radio station on 17th  and 3rd Avenue and that was the first location for WBCO. WJLD was at this time of course on the Bessemer Superhighway, its third location, so the only radio station in Bessemer proper was WBCO. WJLD was still in Bessemer but on the Bessemer Superhighway at this time. I got this from, well there was a Bessemer City directory probably in the Birmingham library and I copied that out of there to kind of confirm where the stations were at a particular time. Okay."</text>
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                  <text>In 2009, BBRM staff and volunteers began the archiving of this collection, with the arranging of objects chronologically (1935 – 1995) and the purchasing of proper archival storage materials. In 2011, an oral finding aid with provenance was constructed by conversations between University of Alabama School of Library and Information Studies (UA SLIS) volunteer Lindsey Reynolds (now at University of Georgia, Athens Library) and BBRM Director Bob Friedman. In 2013 and 2014, those interviews were transcribed by UA SLIS volunteer Michael Mitchell (known affectionately as the MMT).  For each object, the original finding aid conversation has been added and can be found in quotes in the description section. As of the most recent online uploading in August, 2019, the Ephemera Collection consisted of eight boxes containing 413 folders with approximately 850 files, spanning the period 1935-1989.</text>
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                <text>Bessemer City Directory, WBCO Listing</text>
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                <text>Box 2 Folder 53: "Heading up to folder 53 from the Bessemer city directory from around 1953. This one page from the Bessemer city directory is in here because it lists WBCO radio station at 17th  and 3rd Ave in Bessemer. Now it is the case that not everything gets updated all the time, but as of 1953, the printing of this directory, it is presumed that WBCO radio was located at 17 23rd Ave in downtown Bessemer. There is no phone number associated with them and it is the only radio station listed in Bessemer in the 1953 city directory. Which is interesting because WJLD had just moved. They had just moved to the mountain from the Bessemer Superhighway. There you have it."</text>
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                <text>Bessemer City Hall, 1947</text>
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                <text>Box 1 Folder 41: "Box 1 folder 41, which contains 2 pictures from 1947, we believe of Bessemer City Hall first without the addition. It’s hard to believe that this is the same year. I don’t believe it could possibly be the same year but then again I’m not sure. The reason I say that is because the first picture shows the City Hall from its entrance traveling east on 3rd avenue in Bessemer. The second picture shows more construction going west from the general entrance and going north as well, a great deal of construction.  We approximated the year because WJLD moved into City Hall in Bessemer in 1945, from ’45 to ’47. It could have just been an expansion to the City Hall.  WJLD moved out of City Hall in ’47. So  perhaps these pictures are actually earlier than ’47 but we’re going to leave it at ’47 because the finished clock tower and the larger construction would certainly look like the building that we were active in for the period, by 1947. The first picture may be where we were in 1945. Not clear. It has the same reference number, which is not on the picture per say but is placed on the picture before they take the picture of the building. So, a lot of discussion about that.  From the Birmingham Public Library archives, originally from the Jefferson County Tax Assessor."</text>
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                  <text>&lt;p&gt;A collection of sound files, transcribed oral interviews, and images documenting Black radio in Birmingham, Alabama. Please click the link below.&lt;b&gt;&lt;/b&gt;&lt;/p&gt;</text>
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                  <text>Bob Friedman</text>
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                  <text>All Rights held by The Birmingham Black Radio Museum unless otherwise specified.</text>
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                  <text>Bob Friedman</text>
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                  <text>Emily Bibb</text>
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                  <text>and numerous student volunteers</text>
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              <text>Bill Pinkney</text>
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              <text>Transcript of audio snippet:&#13;
&#13;
Bill Pinkney: And we’re talking for so many years now and there’s something great about me as old as I am I can remember that’s because it’s entertainment.&#13;
&#13;
Bob Friedman: Uh huh&#13;
&#13;
BP: And anything out of this ballpark and anything out of this league, I can’t remember.&#13;
&#13;
BF: (laughs)&#13;
&#13;
BP: But you want to talk music, I can talk with you.&#13;
&#13;
BF: (laughs) Yeah.&#13;
&#13;
BP: (laughs)...Oh yeah, man. It’s just great. Another thing too I would like to talk a little more about Jimmy Ricks. &#13;
&#13;
BF: Yeah&#13;
&#13;
BP: And even though the late Jimmy Ricks now.&#13;
&#13;
BF: Yeah&#13;
&#13;
BP: I want to give thanks to him because if it wasn’t for him, I wouldn't have done “White Christmas” the way I did.&#13;
&#13;
BF: Mhm, mhm.&#13;
&#13;
BP: Yeah, I've heard so many things from Jimmy Ricks. “Green Eyes”, “Wagon Wheels”, “Old Man River”, you know…&#13;
&#13;
BF: Just never stopped. Endless supply of stuff.&#13;
&#13;
BP: Oh, yeah&#13;
&#13;
BF: “Don’t Mention.” Then those unbelievable tenors and that progressive harmony The Ravens had. Boy, “Don’t Mention My Name”, “Begin  the Beguine”… &#13;
&#13;
BP: The Tenors sang it. Maithe Marshall. &#13;
&#13;
BF: Maithe Marshall&#13;
&#13;
BP: Well, yeah.&#13;
&#13;
BF:Joe Van Loan...&#13;
&#13;
BP: He was in before Van Loan.  That came later&#13;
&#13;
BF: Yeah, yeah.&#13;
&#13;
BP: Joe and Jim was there, but The Ravens….&#13;
&#13;
BF: They had the Marshall brothers actually put out a record.&#13;
&#13;
BP: Yeah&#13;
&#13;
BF: Yeah, that was really something. Really unbelievable.&#13;
&#13;
BP: Yeah&#13;
&#13;
BF: And Pioneers&#13;
&#13;
BP: Yeah&#13;
&#13;
BF: There were other...while I was collecting….&#13;
&#13;
BP: Well, the guy that sang bass in The Drifters after I left, uh, in 57, was from The Ravens. He took Jimmy Ricks place. When Jimmy went solo, his name was Tommy Evans. He’s this guy here. (shows picture)&#13;
&#13;
BF: Is he on it?&#13;
&#13;
BP: Yeah, that’s him there.&#13;
&#13;
BF: No, that’s one of the Thrashers.&#13;
&#13;
BP: Oh, that’s one of the Thrashers.&#13;
&#13;
BF: Tommy…&#13;
&#13;
BP: That’s a Thrasher in the middle, that’s Tommy Evans right there.&#13;
&#13;
BF: Oh, I thought these guys were brothers.&#13;
&#13;
BP: No, no, no.&#13;
&#13;
BF: So there’s only one Thrasher in here.&#13;
&#13;
BP: There’s only one Thrasher in that picture.&#13;
&#13;
BF: Yeah&#13;
&#13;
BP: The other Thrashers on the original picture&#13;
&#13;
BF: Yeah&#13;
&#13;
BP: The second group of Drifters.&#13;
&#13;
BF: Mhm&#13;
&#13;
BP: See what happened is that this is Tommy Evans and that’s why I’m not on there cuz he’s on there. (laughs)&#13;
&#13;
BF: Unbelievable, so you came and picked up where you left off.</text>
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              <text>Full interview: 45 minutes&#13;
Audio snippet: 2 minutes</text>
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                <text>Bill Pinkney, Oral History</text>
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                <text>Bill Pinkney (b. Aug 15, 1925, d. Jul 4, 2007) born, Dalzell, NC- The original bass of the Drifters vocal group. Bill visited Bob at WJLD twice and sat down for this interview. He reflects on his early career and the creation of one of the best known vocal groups of all times. He also reflects on other groups and their members. </text>
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                <text>Bill Pinkney</text>
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                <text>October 19, 1994</text>
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                <text>Mark Usry</text>
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&#13;
Billy Evans: We had a man, a Black man, John Broadnax. &#13;
Bob Friedman: John Broadnax.&#13;
BE: Who was a piano player. He played. He had a 15-minute program once a week and it was on Friday nights for McClure Furniture Company in Bessemer. John came up and played the old piano in the studio.&#13;
BF: [laughter]&#13;
BE: Every week. Oh, there are 10 million stories you could think of about that crazy radio station. &#13;
BF: Tell me that guy’s name again? &#13;
BE: John Broadnax.&#13;
BF: John Broadnax. B-R-O-A-D-N-A-X.&#13;
BF: He played the, there was a piano at the station and he played the piano. &#13;
BE: Yeah.&#13;
BF: It was a 15-minute show. What kind of music did he play? &#13;
BE: He played whatever. Everything from “Pistol Packing Mama” to gospel. &#13;
BF: uh-uh.&#13;
BE: He’d just get in there and play away. [laughter]&#13;
BF: You say somebody sponsored him? &#13;
BE: Yeah, McClure Trading company. It was a furniture store in Bessemer. &#13;
BF: Mm-hm. &#13;
BE: They sponsored him. We would put John Broadnax up to play “Beer Barrel Polka”, because Mr. Doss wouldn’t let us play it. &#13;
BF: He didn’t want you to play polka?&#13;
BE: He didn’t want the word “beer” mentioned on the station. &#13;
BF: Oh, I see. &#13;
BE: And we would put John Broadnax up to it. We could play “Here comes the Navy” which was a “Beer Barrel Polka” with different words. But we could not play the “Beer Barrel Polka”! [laughter]&#13;
BF: [laughter] And Sadie Mae Patterson, I was told, gave Alex Bradford a shot on the air. &#13;
BE: Yeah, that’s right! We also had a remote and a little funeral parlor. Oh my gosh! &#13;
BF: Do you remember a little about Sadie? Or John, what they looked like? And God knows, if there are pictures of any of these people? &#13;
BE: I doubt that there are. You know, we didn’t make picture then. &#13;
BF: Of course, not. &#13;
BE: That’s what’s so strange. And I late became a commercial photographer. &#13;
BF: Oh really?&#13;
BE: Yeah! </text>
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Audio snippet: 2 minutes</text>
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                <text>Box 1 Folder 33: "This is box 1 folder 33, which is an 8x10 and a copy of the 8x10 of Bob Umbach, the broadcaster of the Atomic Boogie Hour. Any information about Bob, his dates of birth and passing may be in the interview with his daughter, which we have an interview of somewhere in our audio files. We do know that he was with WJLD from ’46 to ‘53 and then moved to WMBM in Miami.  Roy Wood Sr. did suggest that the Johnston family owned WMBM as well. We do know that he passes somewhere in North Carolina; it was Asheville, North Carolina, and that may have been in the late 80s or early 90s. There was a story to the effect that Bob Umbach was very attractive to Jane Russell and that she would visit him. I heard that from more than one person although I do not recall who. Also there are pictures of Bob working with A.G. Gaston in the spelling bee contests, which were broadcast on WJLD. We will probably reach those pictures in the early 50s, late 40s, about 1950. This picture was sent to us by, it was rolled up and given to us by Ben Franklin when he came for one of his many interviews in the early 1990's."</text>
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                <text>Box 2 Folder 48: "This is folder 48. This is a promo picture of Bob Umbach which was sent to me I believe by his daughter but I’m not sure. This is when he was at WMBM, this is not at WJLD. This would have been around ‘53 and here he is pouring some milk into, I don’t know what. He’s got a table full of 78s in front of him. Bob Umbach had the Atomic Boogie Hour for 7 years at WJLD. He was a very popular jock, Caucasian, who spent a lot of time in the black community, a lot of time at the Madison Night Spot. Eventually passed away in the mountains of North Carolina, in Asheville, so I’m told. Striking man who we had once been told that Jane Russell had a crush on him and came to visit him. We heard that from a couple of people. I won’t name them cause I’m not sure. You’ll have to contact Jane Russell’s evangelical church to find out.  By many of his contemporaries and those that came afterwards, considered the first "race" jock in Birmingham."</text>
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                    <text>Bobby Hayden, WEUP historian and Paul White's friend and colleague. Bobby is describing the first radio broadcast between Alabama A&amp;M and Lane College (Jackson, TN).  He claims this to be the first radio broadcast of two contending HBCUs.&#13;
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                    <text>Newspaper clipping of the WEUP broadcast team with Paul White on mike, broadcasting an A&amp;M football game. This clip was in the August 27, 1960 issue of the Birmingham Mirror, a weekly newspaper covering activities within Huntsville's African American community.&#13;
&#13;
The woman to Paul's far right was Willie Mae Butler, an Administrative Assistant in the Alabama A&amp;M Athletic Department. She represented the A&amp;M Administration on the broadcasting team but did no broadcasting.  The young man in the picture to Paul's immediate right was a spotter for the opposition,  the South Carolina State (Orangeburg, SC HBCU) football team.&#13;
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                  <text>All Rights held by The Birmingham Black Radio Museum unless otherwise specified.</text>
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              <text>Transcript of Audio Snippet:&#13;
&#13;
Bob Friedman: And where, and so the picture that people can see is a picture of Paul broadcasting at A&amp;M, right?&#13;
Bobby Hayden: He was the man who developed, founded the program at Alabama A&amp;M, which is the first of all historical Black colleges in the United States. In two years, Paul White had the largest broadcast hookup – other than Notre Dame – in the United States.&#13;
BF: Now that’s quite a mouthful. So…&#13;
BH: He had eleven stations playing in two years. &#13;
BF: He had… You’re saying that – &#13;
BH: The first year of broadcasting he broadcasted eight games, home and road. A&amp;M was the first Black college to broadcast a football game – home, road, day, or night in 1959. It was Paul White who led the way, who gathered all the sponsors and all the production. The most unique thing about Paul was at that time he didn’t drive.  &#13;
BF: He didn’t drive. &#13;
BH: He didn’t own a car, nor could he drive. He’s broadcasting the football at Alabama A&amp;M over two-years span of time – cost him his job at WEUP. He and Garrett fell out over the broadcast about the second year. It was so successful the first year, Woody Anderson was one of his sponsors. Woody Anderson bought in with the idea of giving him an automobile to pay for his time on the air and that created a problem ‘cause Garrett wanted Paul White to sell the car to give him the money. That was his pay for being one of the sponsors of A&amp;M football. He gave Paul a car, then Paul had to learn how to drive.&#13;
BF: Now Bob, back in the day because I see that it’s obvious that you’re close to Paul from the picture – are you hearing all of these stories from Paul?&#13;
BH: No. I was part of all the show! </text>
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&#13;
Bobby Hayden: And one day's time I met the man who wrote the order. I met the man who refused to pass on the order. I met the man who passed the order on. I met the man who carried it out. Truman, Eisenhower, Kennedy, and Johnston. All in one lifetime, all in one day.</text>
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Audio Snippet: 2 minutes&#13;
Video: 22 seconds</text>
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                <text>Bobby Hayden (b.May 28, 1937)  Born in Huntsville, Alabama, Bobby was very active with the sports program at Alabama A&amp;M and worked closely with Paul White (who would become "Tall Paul" in Birmingham at WENN 1320 AM) who would broadcast A&amp;M games on WEUP 1600 AM. Bobby also gave tours later on in life at the Underground Railroad safe house in Huntsville. In 1963, Hayden was one of the first African-American presidential honor guards. He served for Presidents Kennedy and Johnson, along with six other African-Americans who referred to themselves as "The Magnificent Seven.'' In this interview,  Bobby talks about his relationship with Paul White and the overcoming of obstacles and racism while pioneering Black radio sports broadcasting.  He also speaks of Paul White's relationship with Leroy Garrett, founder and owner of WEUP.&#13;
&#13;
Also present: Dr. Roy McRay &#13;
&#13;
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&#13;
This recording was first played at the Alabama Broadcasters Association Hall of Fame induction ceremony for broadcaster Paul "Tall Paul" White on August 13, 2022.</text>
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                  <text>English</text>
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                  <text>Birmingham Black Radio Museum</text>
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                  <text>Bob Friedman</text>
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                  <text>Emily Bibb</text>
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                  <text>and numerous student volunteers</text>
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              <text>Transcript of audio snippet: &#13;
&#13;
Bob Friedman: But it was the same group, huh?&#13;
&#13;
Bobby Smith: Yeah, same group that was at Tri-Phi. Went to, uh, Motown.&#13;
&#13;
BF: Right. How did the group get together?&#13;
&#13;
BS: Well, basically we all went to high school together.&#13;
&#13;
BF: Oh, where?&#13;
&#13;
BS: In Ferndale, Michigan.&#13;
&#13;
BF: Oh, alright.&#13;
&#13;
BS: We grew up in the same neighborhood and you know, back at that time groups of our caliber was very popular.&#13;
&#13;
BF: Right&#13;
&#13;
BS: And so that was really just a past time thing to do. Every street corner you found a group of guys harmonizing on the corner.&#13;
&#13;
BF: Did you know other groups from Ferndale?&#13;
&#13;
BS: Uh, we had two or three little groups. Yeah. &#13;
&#13;
BF: I know that there was an SRC label up out of Ferndale. Uh, that produced The DeeJays. A group called The DeeJays.&#13;
&#13;
BS: Uh huh&#13;
&#13;
BF: Um, which was...it was the State Recording Company. But it was not the one that was...not the States label from Chicago.&#13;
&#13;
BS: Mhm&#13;
&#13;
BF: But there was a State Recording Company out of Ferndale, Michigan that had a group on it. &#13;
&#13;
BS: Oh&#13;
&#13;
BF: It's hard to find, of course. &#13;
&#13;
BS: Oh, wow. I wasn’t familiar with that myself.&#13;
&#13;
BF: Yeah. From about 1953-54. When did you guys start singing together in high school?&#13;
&#13;
BS: Well...we was just playin' around on the corner.&#13;
&#13;
BF: Mhm&#13;
&#13;
BS: I guess about in the late 50s. &#13;
&#13;
BF: Mhm&#13;
&#13;
BS: And we...&#13;
&#13;
BF: You have any specific....&#13;
&#13;
BS: and Harvey Fuqua and Gwen Gordy about ’59…&#13;
&#13;
BF: Right&#13;
&#13;
BS: And that's when they formed Tri Phi records.&#13;
&#13;
BF: Right&#13;
&#13;
BS: And..."That's What Girls Are Made For" was the first record released on that label in 1961.&#13;
&#13;
BF: Right. Right.&#13;
&#13;
BS: So ...from there...we stay on the Tri-Phi label until '64. Tri-Phi label like, could never really get off the ground.&#13;
&#13;
BF: Right&#13;
&#13;
BS: After "That's What Girls Are Made For" we had some mediocre stuff.&#13;
&#13;
BF: Right&#13;
&#13;
BS: But after that, the company merged with Motown.&#13;
&#13;
BF: Okay. Just like Harvey merged with Gwen, huh?&#13;
&#13;
BS: Yeah, right. So.&#13;
&#13;
BF: (laughs)&#13;
&#13;
BS: That's how we got to Motown. </text>
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Audio snippet: 2 minutes</text>
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                <text>Bobby Smith, Oral History</text>
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                <text>Bobby Smith of the Spinners (b. April 10, 1936, Detroit, Michigan, d. March 16, 2013) principal lead singer and spokesperson for the group. Bobby and the group were in Birmingham as part of a southern tour, which also included Charlie Thomas’ Drifters. Here, he and Bob Friedman (Bobby D at the time) reminisce about the current group members and their early history in the late 1950’s as student singers at Ferndale High School near Detroit.&#13;
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                <text>Bobby Smith</text>
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                <text>Bob Friedman</text>
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            <name>Publisher</name>
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                <text>Birmingham Black Radio Museum</text>
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            <name>Date</name>
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                <text>July 14, 1989</text>
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                <text>Mark Usry</text>
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                <text>Emily Bibb</text>
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        <name>1950s</name>
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        <name>Bobby Smith</name>
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      <tag tagId="332">
        <name>Fantasy Records</name>
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        <name>Motown Records</name>
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        <name>The Spinners</name>
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        <name>Tri Phi Records</name>
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