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                  <text>In 2009, BBRM staff and volunteers began the archiving of this collection, with the arranging of objects chronologically (1935 – 1995) and the purchasing of proper archival storage materials. In 2011, an oral finding aid with provenance was constructed by conversations between University of Alabama School of Library and Information Studies (UA SLIS) volunteer Lindsey Reynolds (now at University of Georgia, Athens Library) and BBRM Director Bob Friedman. In 2013 and 2014, those interviews were transcribed by UA SLIS volunteer Michael Mitchell (known affectionately as the MMT).  For each object, the original finding aid conversation has been added and can be found in quotes in the description section. As of the most recent online uploading in August, 2019, the Ephemera Collection consisted of eight boxes containing 413 folders with approximately 850 files, spanning the period 1935-1989.</text>
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                <text>Box 1 Folder 55: "This is box number one number 55. It is a replica of the staff at WDIA Memphis, the first all black-staffed radio station in the United States. Which depicts 5 of its most popular disc jockeys at the time, including who would become a very famous recording artist, Rufus Thomas. Of course WDIA has a tremendous history; there is a publication you can buy, a book, on the history of WDIA - "Wheelin on Beale" - by Louis Cantor, with a forward by B.B.. King - which is a great book, written by one of the children of the founders of WDIA. If it was all black-staffed doesn’t mean it was all black-owned. The first black-owned station was in Atlanta -WERD - in 1949 as well. And WDIA went on the air about 8 months before WEDR here in Birmingham. Many people appeared on WDIA including BB King and Elvis Presley."</text>
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                <text>Box 1 Folder 56: "Okay we are now in box number 1 folder 56 from 1949, September to be exact. It is a promo piece put out by Decca Records of their artists which includes pictures of Duke Ellington, Benny Goodman, Billy Epstein, Billie Holiday, and it looks like the fella who wrote “Stardust”. What was his name... The best song and the best record, I don’t know who these two guys are. Oh wait a minute “Stardust”,  And the guy who wrote the best song, Hoagy Carmichael wrote “Stardust”. &lt;singing&gt;"</text>
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                <text>Box 1 Folder 57: "Alright here we go. This is box 1 folder 57, which contains the constitutions bylaws and rules of order of the Birmingham Federation of Labor as amended from August ‘37 through June of ‘47 so the book is still in existence as of this moment in time. As well some stationary from the Radio Broadcast Technicians and Engineers who were apparently a subsidiary of the Brotherhood of Electrical Workers local union number 253. They were associated with the AFL. This may be before the AFL and CIO joined; obviously it is because it would have been different stationary. This is June 25, 1949 announcing that the local is on strike at radio station WBRC, and it was directed to the Birmingham Federation of Labor, so labor unity back in the day. It’s not clear where this was obtained. It may have been obtained from Ben Franklin."</text>
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                <text>Box 1 Folder 58: "Alright, box 1 we’re up to number 58. Folder 58 is an ad for a General Electric radio from the period from 1949. It was in Life magazine. It was just to kind of show you the technology of the time. What the radios looked like. This radio cost only, only 27 dollars. In 1949 that was big money baby. That was a weeks pay at least.  Bob found this in an antique store."</text>
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                <text>Dance Invitation, Les Fieres Coeurs</text>
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                <text>Box 1 Folder 59: "All right moving on to box 1 folder 59 from 1949. A lovely little folder, very creatively done by ‘Les Fieres Coeurs’. They were a female…they were a women’s organization, and they were announcing a dance that they were going to hold in Birmingham. The ladies would be formal the men would be dark suits, and they had a listing of the club roster in here for people who wanted to do any kind of research. The club colors were red and gold as this brochure is also printed red on gold. The club motto “In the dew of little things the heart finds its morning and is refreshed”, and that’s it. It’s a lovely little thing and it’s an invitation to a dance. The group is from Birmingham. Found at Ben Franklin’s home."</text>
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                <text>Box 1 Folder 60: "This is box 1 number 61, no 60. I thought I said that number already, you sure? Okay. This is a clipping that came out in the 1990’s, which pictured John Forney who did football, basketball, and baseball play-by-play for WAPI back in 1949. It’s really not that much to do with black radio as radio in general."</text>
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              <text>Transcript from audio snippet: &#13;
&#13;
Shelley Stewart: ow did it feel now, you’ve not been on the air how many years now?&#13;
Paul White: I was on the air- Last time I was on the a- on the air was, uh, uh, in 1992.&#13;
SS: Yes, sir.&#13;
PW: Was my last year. &#13;
SS: And Paul, what was your beginning year in radio?&#13;
PW: My beginning year, Shelley, was, uh, I wanna make this brief here because I could tell you, it’s a long story, but th-the late Virgil L. Harris was, uh, sponsoring, uh, uh, advertising, as he still is now on WATV, and at that time I was, uh- you were down at WENN, and uh, what happened, W, uh, E-N-N wanted to carry the Miles game, I was broadcasting Alabama A&amp;M University football games, and, to shorten the story, what happened, uh, Mr.- late- Mr. Virgil Harris of Protective Industrial Insurance Company wanted to- this Miles College game picked up by y’all. Y’all picked it up, and, uh, I did the play-by-play, and so, uh, Joe Lackey and all the other powers that be down there, uh, had me to come down for a job, and I did my first broadcast on your show as- do- as news- as a newscaster, which, that was my forte then, as a newscaster, and I would do sports in your program. And that’s how I got my start. Now-&#13;
SS: And what year was that, Paul?&#13;
PW: It was, uh, back in the 60’s, I can’t tell you-&#13;
SS: Well if I tell you, if I tell you the year, Paul, uh, would you remember?&#13;
PW: Yes!&#13;
SS: If I told you that it was Nineteen Hundred and Sixty-One?&#13;
PW: You’re absolutely correct.&#13;
SS: That was your first year here in Birmingham broadcasting with me.&#13;
PW: You’re absolutely correct, I was- I was- uh, definitely, uh, uh, that was ’61, that is absolut- you’ve got a good memory! And, uh, uh, what happened, Shelley? I will tell you what happened: ah, as I understand it, you was offered a job a-at K-A-T-Z, St. Louis. Is that right or wrong?&#13;
SS: Uh, I think I was offered a job an-and then I- what happened, Paul? You know, this is history.&#13;
PW: What happened was, uh, uh, they didn’t have anybody i-in that uh, uh, morning drive and evening program, which you’re doing now. So they threw me, Reverend Faush and Joe Lackey..&#13;
SS: And changed your name.&#13;
PW: and changed my name.&#13;
SS: To Tall Paul.&#13;
PW: Tall Paul, y’all. And the rest, of course, is history, but I was scared to death. </text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
    </itemType>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1902">
                <text>Golden Bells</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1903">
                <text>Box 2 Folder 1: "Alright, we’re on box number 2 which is the beginning of the ‘50s and this is folder number 1 which is a picture of the Golden Bells, and actually there are 2 pictures of the Golden Bells. We’ve been able to identify partially the personnel in the Golden Bells with a little chart, which applies to the second picture, and this we believe was a result of the help from Don Solomon. Okay.  Picture donated from the AG Gaston collection."</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
