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                  <text>In 2009, BBRM staff and volunteers began the archiving of this collection, with the arranging of objects chronologically (1935 – 1995) and the purchasing of proper archival storage materials. In 2011, an oral finding aid with provenance was constructed by conversations between University of Alabama School of Library and Information Studies (UA SLIS) volunteer Lindsey Reynolds (now at University of Georgia, Athens Library) and BBRM Director Bob Friedman. In 2013 and 2014, those interviews were transcribed by UA SLIS volunteer Michael Mitchell (known affectionately as the MMT).  For each object, the original finding aid conversation has been added and can be found in quotes in the description section. As of the most recent online uploading in August, 2019, the Ephemera Collection consisted of eight boxes containing 413 folders with approximately 850 files, spanning the period 1935-1989.</text>
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                <text>Box 1 Folder 26: "Next is box 1 number 26, which contains various New Age Herald clipping copies from 1945 describing radio programming of the period including WJLD. The significance here was the 5:45 mention of "WJLD Black &amp; Tan fantasy will feature sepia stylists in a quarter hour of syncopation" in other words black programming on the station during that period which was 1945 (no exact date). Also the radio log (March 31 - April 1) showing on WJLD St. Peters Baptist Church with Rev. W.A. Clark and at that time there were 4 radio stations broadcasting: API, BRC, SGN, and WJLD and this was in March of 1945. And also from March 26, 1945 an announcement of Fulton Lewis Jr. having programming on WJLD whom I believe was a white broadcaster, a network broadcaster.  From the Birmingham Library archives microfiche."</text>
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                <text>Box 1 Folder 27: "Box 1 number 27 is a copy of the minutes from the Bessemer City Council leasing space to WJLD for a studio space in their building. They were on the 3rd floor and the meeting took place in January, January 2, 1945. WJLD spent 2 years in these facilities on the 3rd floor, and the details of the rental agreement are all in the minutes of the meeting. Bob Friedman  made a copy of this at Bessemer City Hall, taken from the actual minutes of the meeting that were still available at Bessemer City Hall and copied back in the 90s. "</text>
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                  <text>In 2009, BBRM staff and volunteers began the archiving of this collection, with the arranging of objects chronologically (1935 – 1995) and the purchasing of proper archival storage materials. In 2011, an oral finding aid with provenance was constructed by conversations between University of Alabama School of Library and Information Studies (UA SLIS) volunteer Lindsey Reynolds (now at University of Georgia, Athens Library) and BBRM Director Bob Friedman. In 2013 and 2014, those interviews were transcribed by UA SLIS volunteer Michael Mitchell (known affectionately as the MMT).  For each object, the original finding aid conversation has been added and can be found in quotes in the description section. As of the most recent online uploading in August, 2019, the Ephemera Collection consisted of eight boxes containing 413 folders with approximately 850 files, spanning the period 1935-1989.</text>
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                <text>Box 1 Folder 28: "Ok this is box 1 folder 28. It contains a number of pictures of the Blevins Aggregation broadcasting on WSGN along with a partial biography called “The Big Story” by Christine Stewart, which describes part of William Blevins’s history. And William Blevins of course was known as the South’s first race radio announcer.  We received this booklet (incomplete) from Annie C. McCray of Birmingham,  his daughter;   She also provided the picture of the small aggregation which would appear to be from 1946. The large grouping was gathered at the Smith and Gaston Funeral Home Chapel which was located at 5th Avenue and 16th Street North. That information was supplied to us by Rev. Don Solomon. A.G. Gaston can be seen on the lower right at a microphone. That large group picture may be from the late 1930's when Gaston was known to have helped sponsor gospel singers. An article in a radio mag for the industry, known as "Coast to Coast," from January 12, 1938, mentions Blevins and the Booker T Washington Insurance Company, which was owned by AG Gaston, as his sponsor. The group pix was part of a collection of AG Gaston related photos of which we asked retired Birmingham News photographer, Bill Ricker, to photograph. We approximate that session to have taken place somewhere between 2000 and 2005."</text>
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                <text>Box 1 Folder 29: "Ok this is box 1 folder 29 from 1946. A picture given to us by one of the family members of the Sterling Jubilee Singers, which we approximate to be that old. They were an old group in this town. Their dress-wear certainly leads us to believe that it could have been that old. The first bass and chaplain was Roy Gaston and we don’t know if he was related al all to A.G. Gaston but there is certainly a likelihood. The famous Sterling Jubilee singers of Birmingham, it’s a color picture. We don’t know if it was just colorized; it might have been colorized. We received it we believe from a member of the family of one of these performers, and I do not remember who."</text>
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                <text>Box 1 Folder 30: "Box 1 number 30. These are a series of radio log copies from the Birmingham Library microfiche files from 1946, probably from the Birmingham New Age Herald. And 1946 was the beginning of the Atomic Boogie Hour at WJLD and that was very very significant in terms of the kind of race music that was played back then. Bob Umbach was the jock, and he was a very popular jock. He was also very involved in the black community, and he was white, tall, handsome and there is more to be said about him when we reach his picture. But these radio logs do describe black programming, which again involved Rev. W.A. Clark. The April 7th Sunday log also mentioned W.J. Allen in the morning on WJLD. WJ went on to broadcast gospel on both WEDR and WENN AM. The Pope Singers are mentioned, referring to gospel promoter William Pope. In looking at the other radio stations besides WJLD we can see that W.A Clark was also on WSGN. It does not appear that WBRC really had black programming at the time, nor did WAPI. Still only 4 stations in the market: SGN, BRC, API, and JLD as of April 9, 1946, and the Atomic Boogie Hour for the first time we see them mentioned around 2 o’clock in the afternoon on April 9, 1946, looks like the first time the Atomic Boogie Hour gets described in the radio logs: "Red hot and blue jive.""</text>
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&#13;
Curtis Bell: I was actually ten, when I, you know, cause I used to go home, practice and I was everybody. I was Tall Paul, I was everybody. Anybody that was on the radio, I said, “I could do it.” So I would change my name to their name and try to work on skills and practice intro-ing records and ah, radio was very important when it comes to timing, and it’s like you have to be, you know, very, ah, precise with your timing and so I was just really fascinated with that. And I-&#13;
&#13;
Bob Friedman: Is that, now when, when you’re ten years old in 1972, uh, twelve or whatever- &#13;
&#13;
CB: 1972, yeah&#13;
&#13;
BF: Um, you’re in school, yes?&#13;
&#13;
CB: I’m in school.&#13;
&#13;
BF: Where are you going to school?&#13;
&#13;
CB: I went to school at Lewis Elementary at that time and they had a program, ah, that was designed for people with disability like myself. And ah, my teachers and- &#13;
&#13;
BF: Can you describe your disability?&#13;
&#13;
CB: I’ll elaborate on my disability, which I have cerebral palsy. And ah-&#13;
&#13;
BF: Were you born with cerebral palsy?&#13;
&#13;
CB: I was born with cerebral palsy, yes. I came in fighting…I was fighting for my life, so, and still fighting [laughs] and still today, so, I- and it’s very, you know it’s very interesting to me to-to want to do radio and- and after I started getting around, and hanging around different people, ah, it just really just blew my mind, and said “I want to do this.” And someone ah, by the name of Eddie Young, he was uh one of those fly-by-night jocks that came in at BUL radio. And they would actually- he did it, and John Ray did it, and when I mean that, they would actually pick me up in their arms.</text>
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Audio snippet: 2 minutes</text>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Ephemera Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>In 2009, BBRM staff and volunteers began the archiving of this collection, with the arranging of objects chronologically (1935 – 1995) and the purchasing of proper archival storage materials. In 2011, an oral finding aid with provenance was constructed by conversations between University of Alabama School of Library and Information Studies (UA SLIS) volunteer Lindsey Reynolds (now at University of Georgia, Athens Library) and BBRM Director Bob Friedman. In 2013 and 2014, those interviews were transcribed by UA SLIS volunteer Michael Mitchell (known affectionately as the MMT).  For each object, the original finding aid conversation has been added and can be found in quotes in the description section. As of the most recent online uploading in August, 2019, the Ephemera Collection consisted of eight boxes containing 413 folders with approximately 850 files, spanning the period 1935-1989.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Heavenly Four, Gospel Singers</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Box 1 Folder 34: "This is box 1 number 34, which are various pictures, two pictures of the Heavenly Four Gospel Singers. They probably span from 1945- 46. We know who  the Heavenly Four Gospel Singers because Don Solomon is in the group and these are copies of pictures he donated around 2007. It was lucky he did because subsequent to that, he had a house   fire and lost everything, so I was able to make copies for him.  Let’s put this in a plasticine thing. He has identified all of its past members. We do also have an interview with Don Solomon, an audio interview. It was a group that lasted for several years, even beyond Don Solomon’s leaving the group to join the Air Force in 1949."</text>
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        <name>1940s</name>
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        <name>Don Solomon</name>
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        <name>Edward Simmons</name>
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        <name>Gospel</name>
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        <name>Johnnie Blackmon</name>
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      <tag tagId="87">
        <name>Leroy Garrett</name>
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      <tag tagId="393">
        <name>Monroe Lewis</name>
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      <tag tagId="302">
        <name>Robert Walter</name>
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        <name>Spider McGee</name>
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        <name>The Heavenly Four</name>
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      <tag tagId="306">
        <name>Vester Jackson</name>
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