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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Oral History Collection</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;p&gt;A collection of sound files, transcribed oral interviews, and images documenting Black radio in Birmingham, Alabama. Please click the link below.&lt;b&gt;&lt;/b&gt;&lt;/p&gt;</text>
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                <text>Bob Friedman</text>
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            <name>Rights</name>
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                <text>All Rights held by The Birmingham Black Radio Museum unless otherwise specified.</text>
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                <text>Ephemera</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Birmingham Black Radio Museum</text>
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                <text>Bob Friedman</text>
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                <text>Emily Bibb</text>
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                <text>and numerous student volunteers</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>OralHistory</text>
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    <name>Oral History</name>
    <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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        <name>Interviewer</name>
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            <text>Bob Friedman</text>
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            <text>Norman B. Wooding Jr.</text>
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            <text>Transcript of audio snippet:&#13;
&#13;
Bob Friedman: Uh, now you were close to gospel music&#13;
&#13;
Norman Wooding: Yeah. Mhm&#13;
&#13;
BF: For your entire life&#13;
&#13;
NW: Mhm&#13;
&#13;
BF: And finally starts to get played&#13;
&#13;
NW: Yeah&#13;
&#13;
BF: And you hear WLAC and WWL&#13;
&#13;
NW: Yeah&#13;
&#13;
BF: You picked up those AM stations&#13;
&#13;
NW: Yeah&#13;
&#13;
BF: Do you remember when you started hearing it on Birmingham stations?&#13;
&#13;
NW: ‘42. I listened to that in 1942, WJLD. I start listenin' there. They was playin it yeah, and they would have live programs. Different quartets would go there through the week. That's what I liked.&#13;
&#13;
BF: You think it's that early? 1942?&#13;
&#13;
NW: Huh?&#13;
&#13;
BF: Cuz they went on the air in April of 1942 for the first time.&#13;
&#13;
NW: I know… We went on the air with them in ‘44&#13;
&#13;
BF: Yeah&#13;
&#13;
NW: with Kelley Choral Singers…&#13;
&#13;
BF: Right&#13;
&#13;
NW: Yeah so they had been going on&#13;
&#13;
BF: Oh. So you knew that they had played&#13;
&#13;
NW: Yeah. Gospel&#13;
&#13;
BF: Gospel before you even… you say well let's give it a try&#13;
&#13;
NW: Yeah. There was a gospel station and an FM station, see.&#13;
&#13;
BF: Well the FM didn't come till 1948.&#13;
&#13;
NW: I’m talking later on…&#13;
&#13;
BF: Yeah&#13;
&#13;
NW: : I’m talking later on… I just said there was an FM an a ‘42 station&#13;
&#13;
BF: Mhm. Mhm&#13;
&#13;
NW: But ’42, I mean on AM they played gospel&#13;
&#13;
BF: Right&#13;
&#13;
NW: Yeah. Real gospel&#13;
&#13;
BF: So now, if you're saying that one of the reasons you approach them with the Kelley Choral Singers. Did you do the approaching or was it McKinstry? Who made the contact?&#13;
&#13;
NW: Stallworth and Johnson had a recorded program in Bessemer and McKinstry approached 'em and he said, “what about we come on live?”  So he okayed it. That's how we come on there.&#13;
&#13;
BF: On JLD&#13;
&#13;
NW: Yeah&#13;
&#13;
BF: And that was still out in Bessemer.&#13;
&#13;
NW: Yeah that was in Bessemer&#13;
&#13;
BF: At the hotel?&#13;
&#13;
NW: Yeah&#13;
&#13;
BF: Mhm&#13;
&#13;
NW: At the...&#13;
&#13;
BF: At the Realty Building&#13;
&#13;
NW: Mhm&#13;
&#13;
BF: Yeah.&#13;
&#13;
NW: But meanwhile William Pope was having programs. William Blevins would have a program on WBRC and other stations.&#13;
&#13;
BF: Mhm&#13;
&#13;
NW: Yeah&#13;
&#13;
BF: He was on WSGN&#13;
&#13;
NW: Right, right, right&#13;
&#13;
BF: Yeah.&#13;
&#13;
NW: Yeah</text>
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            <text>Full interview: 26 minutes&#13;
Audio snippet: 2 minutes</text>
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          <name>Title</name>
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              <text>Norman B. Wooding Jr., 2013 Oral History</text>
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              <text>Norman B. Wooding, Jr.(b. Nov. 28, 1923, d. Oct. 31, 2015). Eight decades singing gospel quartet in Jefferson County, Alabama, at 89, Norman reflects in conversation on the conditions in the 1930’s and 40’s surrounding the development of quartet singing in the Birmingham area and his love for the music. For 12 years, Norman was the President of the Pillars of Birmingham (2005-2012), a local quartet that included in its last manifestation, Henry Burton, Don Solomon, John Lawrence and Bob Friedman.  Wooding’s life history is captured in the Four Octave Production video, “Salute to a Soldier” (2013).&#13;
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              <text>Norman B. Wooding Jr.</text>
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              <text>Bob Friedman</text>
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          <name>Publisher</name>
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          <name>Date</name>
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              <text>July 13, 2013</text>
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              <text>Mark Usry</text>
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              <text>Emily Bibb</text>
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              <text>JPG</text>
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              <text>MP3</text>
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              <text>PDF</text>
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      <name>1930s</name>
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      <name>1940s</name>
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      <name>Bessemer</name>
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      <name>Carver Theater</name>
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      <name>Kelley Choral Singers</name>
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      <name>Masonic Temple</name>
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      <name>Norman B. Wooding Jr.</name>
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      <name>Red Mountain</name>
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      <name>Tennessee Coal &amp; Iron Railroad</name>
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      <name>Willie McKinstry</name>
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